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we felt our cells tumble, cluster, and creep (2026) Performance. Images Festival & Le Labo, Toronto CA
Manif d'Art Biennal - Splitting Ice (2026) Exhibitions views and performance. Solo. Galerie des Arts visuels, Québec CA
Compostable mass on drip (2026) Boiling flask, pump, pulley system, cob, survival blanket.
Cybernetic hands playing in the mud (a community of bodies hosting migrating cells) (2023) Video essay. Perfect loop.
MOMENTA Contemporary Art Biennal - In Praise of the missing image (2025) Exhibition views. Solo. Dazibao, Montréal CA
The world was always full of us (2025) Video 4K with surround sound.
Our dissident cells in our dissident wombs (2025) Aluminium, blood oranges flipped inside out.
ACME Awards 2024 - Groundwork (2024) Exhibition views. Group show. Kupfer, London UK
We gather at dawn (I have discharged you from our care) (2024) HD video with stereo sound. Perfect loop.
Sponsored by the Anthropocene V (2024) Aluminium, UV printing, batting, dried flower buds.
Sponsored by the Anthropocene I, II, III, and IV (2023-24) Aluminium, watercolour, UV print, paper, archival sleeves
Building, destroying, and rebuilding cob columns as high as our bodies (2023) Ongoing performance and video installation. Goldsmiths Degree Show, London UK
Level Again (2023) Performance. RuptureXIBIT Gallery, London UK
Exhausted Feminist Hybrid Species reading group (2022 - ongoing) Research. London UK
Obscured histories of women’s making of butter and use of community ovens within a profit-driven patriarchal and colonial framework. Commons, land, knowledge.
Replace narratives with muscle memory (2025) Performance. DRAC art actuel, Drumondville CA
What can you build on land that keeps moving (2025) Exhibition views. Solo show. DRAC art actuel, Drumondville CA
Replace narratives with muscle memory (2024) Performance. CIRCA Art Actuel, Montréal CA
What can you build on land that keeps moving (2023) Exhibition views. Solo show. OPTICA, Montreal CA
Building and destroying a cob column as high as my body (that our limbs stop hurting long enough to learn how to walk level again) (2023) Video HD
Aligning all the dried beans of a packet between my grandmother's birthplace and the old bakery (2023) Performance for the camera. Video HD
Deptford X - Present Tense (2022) Exhibition views. Group show. Goldsmiths, London UK
Replace narratives with muscle memory (2022) Performance with sound for headphones. 3e Impérial, Granby CA
Future_After (2022) Exhibition views. Group show. Hypha Studios, London UK
What can you build on land that keeps moving (2022) Video. 4k with sound
You gave me your beans cooking pot (letter to my grand-mother) (2022) Video. 4k with sound
Rythm, Sacrifices, Selfessness, Capitalism, Legitimacy, Vulnerability, Fight, Common enemy, Dissensus (2021-22) Adobe bricks, mold
Barrater les sols pierreux (Churning the Rocky Soils) (2020-22) Collaborative research on commons. Feminist brick-making and communal ovens
Transcription of a conversation into an aesthetic object in order to reveal the underlying power dynamics. Education, institutions, power dynamics, pedagogy.
Si deux consonnes forment un angle aigu, il suffit de l'arrondir légèrement (2023-25) In situ project and exhibition views. Galerie UQO, Gatineau CA
Au milieu des bureaux empilés (In between desks) (2023) Exhibition views. Solo show. Vaste et Vague, Carleton CA
Si on ne peut, on continuera de construire des adultes (2019-2023) Video essay and performance for the camera
Research in Art Education (REA) Journal: Special issue on Critical artistic research as practices of care (2021) Research article. Aalto University, Espoo FI
Prôner le chaos (Advocating for chaos) (2021) Commission for Vie des Arts magazine
Educational Institute of Conversational Aesthetics (IPEC) (2020) Fictional research institute. Web art and python programming
Au milieu des bureaux empiles (In between desks) (2019) Exhibition views. Solo show. Regart Art Actuel, Levis CA
Arrows and Other Traps (2019) Exhibition views. Group show. Dogo Residenz fur Neue Kunst, Lichtensteig CH
Au milieu des bureaux empiles (In between desks) (2018 - Ongoing) Open discursive spaces within high schools and drawings of conversations.
Canada, Switzerland, and United Kingdom.
Se mettre a couvert (Taking Cover) (2017) Self-portraits workshops with child survivors of domestic abuse
Viens prendre le the (Let's Have Tea) (2016-17) Weekly tea tasting workshops for students to gather and exchange about how they felt at school
Poser le temps sur l'horizon (Laying Time on the Horizon) (2017) Stations of contemplation installed in the public space. Performative woodworking
Jaser d'utopie (Talking about Utopia) (2017) Conversations bringing together passers-by in the streets of Montreal to exchange about utopia
Jaser d'art (Talking about art) (2015-17) Conversations set up in various public spaces about the role of art
Dialogues (2015) Artist book. Prints.