Barrater les sols pierreux (Churning the Rocky Soils) (2020 - 2022) Collaborative research on commons. Feminist butter-making and communal ovens
Au milieu des bureaux empiles (In Between Desks) (2018 - On going) Open dirscursive spaces within high schools and drawings of conversations
Se mettre a couvert (Taking Cover) (2017) Self-portraits workshops with child survivors of domestic abuse
Viens prendre le the (Let's Have Tea) (2016-2017) Weekly tea tasting workshops for students to gather and exchange about how they felt at school
Poser le temps sur l'horizon (Laying Time on the Horizon) (2017) Stations of contemplation installed in the public space. Performative woodworking
Jaser d'utopie (Talking about Utopia) (2017) Conversations bringing together passers-by in the streets of Montreal to exchange about utopia
Jaser d'art (Talking about art) (2015-2017) Conversations set up in various public spaces about the role of art
Level Again (2023) Performance.
Building, destroying, and rebuilding cob columns as high as our bodies (2023) Ongoing performance and video installation
Cybernetic hands playing in the mud (a community of bodies hosting migrating cells) (2023) Video essay. Perfect loop.
Building, destroying, and rebuilding cob columns as high as our bodies (2023) Video HD
Building and destroying a cob column as high as my body (that our limbs stop hurting long enough to learn how to walk level again) (2023) Video HD
Fragmentation of a part of the Canadian Pavilion at the colonial exhibition of 1886 in London (2023) Installation. Poplar plywood, thread, cheese cloth, cob
Aligning all the dried beans of a packet between my grandmother's birthplace and the old bakery (2023) Performance for the camera. Video HD
Replace narratives with muscle memory (2022) Performance with sound for headphones
What can you build on land that keeps moving (2022) Video. 4k with sound
To my sisters in labour (2022) Raw clay pots
Reproduction of a part of the Canadian pavillion at the Colonial Exhibition of 1886 in London (2022) Installation. Pywood structure.
Rythm, Sacrifices, Selfessness, Capitalism, Legitimacy, Vulnerability, Fight, Common enemy, Dissensus (2021-22) Adobe bricks, mold
You gave me your beans cooking pot (letter to my grand-mother) (2022) Video. 4k with sound
Au milieu des bureaux empiles (2019-22) Drawings of conversations. Ink and graphite on paper. Audio excerpts of conversations
Au milieu des bureaux empiles (2019-22) Sheets of code. Ambient sounds.
Au milieu des bureaux empiles (2019-22) Artist's notebook. Prints.
Prôner le chaos (Advocating for chaos) (2021) Commission for Vie des Arts magazine
Educational Institute of Conversational Aesthetics (IPEC) (2020) Fictional research institute. Web art and python programming
Si on ne peut, on continuera de construire des adultes (2019) Video essay. HD with sounds
Dialogues (2015) Artist book. Prints.
Goldsmiths MFA Degree Show (2023) Goldsmiths. Group show, London UK
Exhibition text by Yueh-Ning Lee
Qu’est-ce qu’on peut construire sur un sol en mouvance (2023) OPTICA. Solo show, Montreal CA
Exhibition text by Véronique Leblanc
Au milieu des bureaux empilés (2023) Vaste et Vague. Solo show, Carleton CA
Goldsmiths MFA Interim show (2022) Goldsmiths. Group show, London UK
Future_After (2022) Hypha Studios. Group show, London UK
Au milieu des bureaux empiles (2019) Regart Art Actuel. Solo show, Levis CA
Review by Patrice Loubier
Arrows and Other Traps (2019) Dogo Residenz fur Neue Kunst. Group show, Lichtensteig CH
Exhausted Feminist Hybrid Species reading group (2022 - ongoing) London UK
Research in Art Education (REA) Journal: Special issue on Critical artistic research as practices of care (2021) Research article. Aalto University, Espoo FI
Colloque CRITS: Rapports de pouvoir dans les organisations (2021) Panel discussion. St-Paul University, Ottawa CA